“This is a movie for audiences capable of slavering over a Pontiac Trans Am, 18-wheel tractor-trailer rigs, dismembered police cruisers and motorcycles,” wrote Lawrence Van Gelder in The New York Times review of the movie. Though it’s not like the critics loved it.
The stunt work is solid and Mike Henry deserves some love too. Reynolds is at max charm in the blocker black Trans Am, Fields is super-cute, Reed brought great music and astonishing guitar picking in addition to his truck driving, and Gleason supplies most of the hilarity. About a third of the way into filming I was in the car with Sally and there was this little moment we kind a looked at each other and we both turned and looked over at Hal, he gave us a thumbs up and said ‘yeah!’ And we kind of knew it was some magic going on.” But then we got Sally on board and it changed the entire dynamic. “It was a bit of a lark when I agreed to do it,” Reynolds recalled in 2015, “and I knew we'd have fun if we could get Gleason.
Hal Needham/Smoke and the Bandit Universal
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